茅盾、鲁迅和郑伯奇的新文学观考辨——以《中国新文学大系(1917—1927)》小说选集导言为例  

Research on Views of New Literature of Mao Dun,Lu Xun and Zheng Boqi——Taking Preface of Selections of Novels in The Great Series of the New Literature(1917-1927) for Example

作　　者：任杰[1] REN Jie(School of Literature,Shaanxi Normal University,Xi'an,Shaanxi,710119,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《西安石油大学学报（社会科学版）》2018年第4期90-95,共6页Journal of Xi’an Shiyou University:Social Science Edition

摘　　要：茅盾、鲁迅和郑伯奇分别为《中国新文学大系(1917—1927)》三卷小说选集撰写的导言以不同的文学流派、团体为中心,对新文学前十年小说创作实绩进行了总结和评述。总体来看,三人评判小说创作的标准和书写导言的策略皆有所不同,但整体上又不同程度地倾向现实主义原则,显示了他们各具特点的新文学观。这不仅和当时现实主义成为文学主流有关,而且反映出了各文学阵营之间的微妙关系,从中也可窥见当时的社会形势和文学环境的多样性、复杂性。Mao Dun,Lu Xun and Zheng Boqi respectively wrote three prefaces for The Great Series of the New Literature(1917-1927).They summarized and evaluated the tangible achievement of novels at the previous decade of new literature from different schools of literature.On the whole,their standards of appraising novels and strategies of writing the preface were both different,but overally tended to the principle of realism to various degrees,showing their different views of new literature.This situation is not only in connection with the fact that realism had becoming mainstream literature at that time,but also reflects the subtle relationship between diverse schools of literature.So we can see the diversity and complexity of social situation and literary environment at that time.

关 键 词：《中国新文学大系(1917-1927)》 小说选集导言 新文学观 现实主义 

分 类 号：I209[文学—中国文学]