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作 者:韩琛[1] 王紫玉 HAN Chen;WANG Zi-yu(College of Liberal Arts,Qingdao University,Qingdao 266071,China)
出 处:《东方论坛(青岛大学学报)》2018年第4期76-83,共8页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
摘 要:二十世纪九十年代以来,大陆中国的"重写文学史"虽然众声喧哗、新作迭出,但却失去了想象力和创造力,成为一个不断自我重复的知识生产过程,"重写文学史"似乎变成一个永远不能完成的方案。具体而言,学科建构的内在悖论、家国体系的认同危机、启蒙思想的当代失落及作者主体的犬儒倾向等原因的存在,则是导致中国现代文学史研究进退失据、裹步不前的主要根源。实际上,执着于历史反思、现代转型与文明再造,却始终不能完成这一使命的奇异状况,并非中国现代文学史研究领域的独有现象,而是中国至今难以完成其现代性转型的整体性历史表征。Since the 1990s,"rewriting literary history"in Chinese mainland has aroused clamors and produced some new works;however,creativity and imagination are lost,making it a self-repeating process of knowledge production."Rewriting literary history"seems to be a mission impossible.Specifically,the inner refutation of discipline construction,crisis in identifying the family-country system,modern loss of enlightenment thought and the cynical trend of authors are the major causes that prevent the further advancement of research on China's modern literary history.In fact,it is not unique that the research on China's modern literary history is obsessed in historical retrospection,modern transformation and rebuilding of civilization,and fails to accomplish this mission.It is the historical representation of China's unaccomplished modern transformation that leads to such failure.
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