困境与归路:文化工业时期的中国文学创作  

Difficult Situation and Way:Chinese Literary Creation In the Period of Cultural Industry

作　　者：霍俊国[1] HUO Jun-guo(Literature Institute,Qufu Normal University,Qufu 273165,China)

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《齐鲁学刊》2018年第4期143-148,共6页Qilu Journal

摘　　要：文化工业已经成为我国的主流文化,电视、网络等媒介成为文化工业的核心,集约化的生产方式和商业价值的追求导致文化个性和风格的丧失,文化被类型化、图式化。文化工业时期的文学创作不再是为了表现或反映现实而是为了赚取更多的稿酬收入,文学创作主体出现泛化,文学作品的特征一律标准化、平面化。但文学是心灵的守护者,文学创作应该回归审美,这体现为:首先,文艺创作应该根植于中华优秀文化传统,增强人文关怀;其次,文艺创作应当追求文学的意境,体现中国美;再次,文艺作品要根植于现实生活,表达真情实感;最后,文艺工作者应当树立书生风骨,体现中国精神。The cultural industry has become the mainstream culture of our country.At the stage,the media is the core of cultural industry such as television,network,etc.The intensive mode of production and the pursuit of commercial value Lead to loss of personality and style,and the culture being typed and schemed.In the period of cultural industry literary creation is no longer to express or reflect reality,but to earnmore income.People who are engaged in literary creation are generalized,and Literary works are characterized by standardization and planarization.But literature is the guardian of the soul,and literary cre ation should return to aesthetics.First of all,literary creation should be based on Chinese excellent cultural traditions and enhance humanistic concern.Secondly,literary creation should pursue artistic conception and embody the unique aesthetic custom of Chinese people.Thirdly,literary works should be rooted in real life and express true feelings.Finally,writers and artists should build up their strength and reflect the spirit of China.

关 键 词：文化工业时期 中国文学创作 困境 归路 

分 类 号：I01[文学—文学理论]