浮萍:抒情话语下的漂流经验与后现代主体重构——以《她们的名字叫红》为例  

Lemnaceae: Floating Experience and Reconstruction of Postmodern Subjectivity through Lyric Discourse in the Film China Affairs

作　　者：吴明[1] WU Ming(School of Communication,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学传播学院,上海200241

出　　处：《上海大学学报（社会科学版）》2018年第5期24-42,共19页Journal of Shanghai University(Social Sciences Edition)

基　　金：上海市浦江人才计划项目(16PJC027)

摘　　要：选取电影《她们的名字叫红》做深度文本解读,原因在于这部电影对于探讨中国后现代主体性问题具有极大的启发性和阐释空间。为此,提出浮萍概念,侧重于挖掘它在后现代美学与中国传统美学之间的协调性功能。浮萍与根茎一样强调后现代社会的不确定性和运动特征,却在中国抒情话语的层面上开出新路。它在重视运动过程的同时,保留了对静止的肯定和对源头的敬意。它在现代物理学空-时观与中国古代神话体系的双重观照下,显示出时间的非线性与多维度特征如何介入到后现代主体的情感世界。The film China Affair is cited here for in-depth discourse analysis,because it sheds great enlightenment on the discussion of China's postmodern subjectivity with broad space for interpretation.The concept of“lemnaceae”is proposed here to emphasize its function in coordinating postmodern aesthetics and Chinese traditional aesthetics.Lemnaceae,like the concept of“rhizome”,emphasizes the uncertainty and the moving feature of postmodern society and blazes a new road in Chinese lyric discourse.While attaching importance to the process of movement,it retains the affirmation of stillness and respect for the origination.Under the contemplation of the space-time concept of modern physics and the ancient Chinese mythology system,it shows how the non-linear and multi-dimensional features of time are involved in the emotional world of the postmodern subject.

关 键 词：浮萍 根茎 抒情话语 后现代主体性 章明 

分 类 号：J912[艺术—电影电视艺术]