伊犁木卡姆研究回顾与总结  

A Review and Summary of Mukam Studies in Yili of Xinjiang Uygur Autonomous Regions Since the Founding of the P. R. China(domestic)

作　　者：孙会宾[1] 

机构地区：[1]乌鲁木齐职业大学艺术学院,新疆乌鲁木齐830002

出　　处：《南京艺术学院学报（音乐与表演版）》2018年第3期51-59,共9页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：国内音乐学界对伊犁木卡姆的研究关注相对较少,系统性不足。本文通过梳理研究现状,认为对伊犁木卡姆研究的相关田野工作等方面开展的不够深入,有关文献也有待于挖掘、整理与考证。对于音乐本体与乐器的研究多以描述性为主,在此基础上笔者认为:伊犁木卡姆的研究在注重音乐文化生态与背景考察的同时,不但要注重不同地域木卡姆之间的跨区域比较、注重历史上不同民族间音乐文化的交流与互动,更要重视音乐史料的收集与音乐形态的分析研究。The research on mukam of Yili in the academic circle of music in China lacks systematic manner and has attracted little attention. By analyzing the current research situation this author thinks that the research on the field work of mukam in Yili is not deep enough, and the related literature needs to be excavated, sorted out and verified. The current research on the music and instruments of mukam is mostly descriptive which makes the author conclude that the future research on the topic, while emphasizing the ecological condition and background of the music culture, should also focus on the comparison of mukam from different regions and the exchange between the ethnic groups. Lastly, more attention must be paid in gathering historical materials and analyzing the musical patterns.

关 键 词：伊犁木卡姆 传承 本体研究 艺人 乐器 

分 类 号：J609[艺术—音乐] J605