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作 者:阎彬[1,2] YAN Bin(Department of Wushu and Traditional Ethnic Sports,Physical Education College of Zhengzhou University,Zhengzhou 450044,Henan,China;School of History and Culture,Henan University,Kaifeng 475001,Henan,China)
机构地区:[1]郑州大学体育学院武术与民族传统体育系,河南郑州450044 [2]河南大学历史文化学院,河南开封475001
出 处:《上海体育学院学报》2018年第5期79-86,共8页Journal of Shanghai University of Sport
基 金:国家体育总局体育哲学社会科学研究项目(2394SS16131);河南省教育厅人文社会科学研究一般项目(2019-ZZJH-463)
摘 要:运用文献资料法、田野调查法等,以伏羲八卦拳为研究对象,从身体、仪式、记忆的视角,对其身体技术及文化成因进行考察。认为:伏羲八卦拳"取慢舍快"的单练技术体现了对"身体记忆"的选择性建构,而其套捶排打的对练技术体现为仪式化的身体操演;传统武术身体技术之文化生产的实质是"身体记忆"在传习者身体内部的保存与传递,即记忆在身体层面的入脑、入身与入心,"技艺"之传承即"记忆"之传递。Adopting the methods of literature review and field work,the study takes Fuxi Bagua Quan as the object to explore its physical skills and cultural origins,from the perspectives of body,rite and memory.It holds that the single skills of“Choosing Slow and Abandoning Fast”shows a selective construction of“physical memory”,while the pair skills of“Taochui”shows a ritualized physical exercise.The essence of the cultural production of physical skills in traditional Wushu is the preservation and transmission of“physical memory”in the body of the practitioners,i.e.,the memory into the brain,into the body and into the heart on the physical level.And,the inheritance of“skill”is just the transmission of“memory”.
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