论袁桷的哀诔文  

On Yuan Jue's Mourning Funeral Orations

作　　者：彭国怡 PENG Guoyi(College of Liberal Arts,Guangxi University for Nationalities,Nanning,Guangxi 530006,China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《河池学院学报》2018年第4期18-24,共7页Journal of Hechi University

摘　　要：哀诔类文体在古代文人文学创作中,始终占据一席之地。此类题材韵散结合,哀悼亡者,记颂生平,颇具文学情感及思想价值。袁桷是元代大德、延祐年间的文坛大家,其哀诔类文体计118篇,在其韵文、散文创作中数量颇为可观。袁桷的哀诔文一扫江西之文晦涩弊病,承前宋欧阳修、王安石手笔,深得其师戴表元之精髓,发展出尚实情真、雅理旷远的哀诔文风,对元代文坛哀诔文体的创作影响深远。In the Chinese ancient literary creation,the mourning funeral orations have always occupied a place.These themes are divided into rhyme and prose,both of which are mourning for the dead,recording the life of the dead,and having literary emotional and ideological value.Yuan Jue was a literary master living in the years of Dade and Yanyou in Yuan dynasty.He composed 118 of the mourning funeral orations,making up a large part of all his works.Yuan Jue’s mourning funeral orations didn’t have the Jiangxi Poetry School’s shortcomings,and he studied the styles of Ouyang Xiu and Wang Anshi in the Song dynasty.Meanwhile,His master Dai Biaoyuan also gave him some guidance.So Yuan Jue’s mourning funeral orations showed a unique style that was realistic,sincere,reasonable and open,which had a great influence on the creation of the mourning funeral orations of the yuan dynasty.

关 键 词：袁桷 哀诔文 文体 

分 类 号：I206.2[文学—中国文学]