唐诗的模糊美初探  

The Study of Fuzzy Beauty in Tang Poetry

作　　者：王华琴 张青华 张红 WANG Huaqin;ZHANG Qinghua;ZHANG Hong(College of Arts,China University of Petroleum,Qingdao,Shandong 266580,China)

机构地区：[1]中国石油大学(华东)文学院,山东青岛266580

出　　处：《中国石油大学学报（社会科学版）》2018年第5期76-80,共5页Journal of China University of Petroleum (Edition of Social Sciences)

基　　金：中央高校基本科研业务费专项资金资助项目(15CX04054B)

摘　　要：模糊语言的运用以及由此所产生的模糊美是唐诗的重要特征之一。基于模糊学理论和模糊美学,唐诗模糊美存在的原因如下:人类思维的模糊性,以及诗人创作、读者欣赏和诗歌自身的模糊性。诗人的思维是模糊的且喜欢用模糊的方式来表达思想,诗歌本身具有模糊因素,而读者在认知方面也有其局限性和模糊性。唐诗模糊美的实现主要体现在模糊词、模糊修辞手法和特殊数字的使用方面。通过对唐诗模糊美的分析,希望能为读者提供一个欣赏唐诗的新角度。The application of fuzzy language and the resulting fuzzy beauty are the important features of Tang Poetry.Based on the theory of fuzzy theory and fuzzy aesthetics,this paper analyzes the causes for the existence of fuzzy beauty in Tang Poetry:the fuzziness of human thinking,the fuzziness of poets in writing,the readers appreciation and the poetry themselves.The poets thinking is vague and they like to express their thoughts in a fuzzy way.The poem itself has fuzzy elements,and the readers have limitations and ambiguity in cognition.The realization of the fuzzy beauty of Tang Poetry is mainly reflected in the fuzzy words,the fuzzy rhetoric and the use of special numbers.The author hopes that this article can provide readers with a new appreciation of Tang Poetry.

关 键 词：模糊美学 唐诗 模糊美 模糊修辞 

分 类 号：I06[文学—文学理论]