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作 者:邱畅[1] QIU Chang(Foreign Languages College,Liaoning University,Shenyang 110136,China)
出 处:《东北大学学报(社会科学版)》2018年第6期657-662,共6页Journal of Northeastern University(Social Science)
基 金:教育部人文社会科学研究资助项目(17YJC752025)
摘 要:虽然纳博科夫是一位典型的后现代主义作家,其作品充分彰显后现代主义风格,但是仔细研读不难发现,纳博科夫小说叙事中蕴含了丰富的东方元素,在小说叙事的诸多方面均可以置于东方叙事美学的框架下展开研究。以纳博科夫的经典作品《洛丽塔》和中国古典小说巅峰之作《红楼梦》为例,运用叙事理论创新性地在西方后现代主义小说与中国古典小说之间架起一座桥梁,通过运用点面结合的关联性研究方法,分析《洛丽塔》与《红楼梦》的叙事策略在叙述者、叙事空间和叙事伏线方面的契合之处:两部作品均运用了不可靠叙述,而且运用的手法具有一定对应性;两部作品均运用了三重叙事空间,虽然对于各层空间的指称不同,但其内在含义是相通的;两部作品均运用了叙事伏线,在行文中暗中行走,谋篇布局。As a postmodern writer,Nabokov always demonstrates postmodern styles in his novels.However,his novels are abundant with Chinese traditional elements if read in depth.The narrative of Nabokov s novels is in compliance with the narrative of Chinese traditional novels,which can be put under the framework of oriental aesthetic values.Taking Lolita and A Dream of the Red Mansions as examples,the author innovatively uses narration theories to bridge western postmodern novels and Chinese classical novels,and employs the research method of point and sphere integrated correlation to analyze the common features of the two novels and their relationship in the aspects of narrator,narrative space and narrative foreshadowing.Firstly,the two novels both use unreliable narrative,which corresponds to each other;secondly,the two novels both use three-layer space,which are endowed with similar connotations though under different titles;thirdly,the two novels both use narrative foreshadowing,contributing to their structures and plots.
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