从身心到艺术:魏晋名士艺术境界的形成路径  

From Body and Mind to Art: the Way to the Artistic State of the Famous Scholars in the Wei and Jin Dynasty

作　　者：曾小明[1] 曾带丽[2] ZENG Xiao-ming;ZENG Dai-li(College of Liberal Arts,Hunan Normal University,Changsha410081,China;College of civil engineering,Hunan University,Changsha410082,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081 [2]湖南大学土木工程学院,湖南长沙410082

出　　处：《湖南大学学报（社会科学版）》2018年第6期101-107,共7页Journal of Hunan University(Social Sciences)

基　　金：湖南师范大学课题:影像时代背景下的中国秘书史课程内容改革与教学实践探索(20148562)

摘　　要：魏晋名士艺术境界的形成路径清晰而富于哲理,他们通过心身外在表现的审美追求以获得艺术对象审美外观的人格化,通过"远"之本体追问与"远"之身体探寻来实现人生和艺术的玄远境界,使得"心"臻至"无"之境与"美"臻至"无我"之境在人生与艺术层面完美融通。如此,魏晋名士与肉身以及欲望存在的自我渐行渐远,而生命精神却始终作为不可或缺的逻辑线索,延续于人生、艺术之中,成为艺术精神和人格蕴含的内在逻辑线索。The Way to the Artistic State of the Famous Scholars in the Wei and Jin Dynasty was clear and philosophic.On the one hand,they pursue the personality of appearance of artistic objects through the aesthetic pursuit of the external performance of the body and mind,exploring the way from the beautiful and shining appearance of body to the bright and clear art;on the other hand,they explored the way from the appreciation of profound and lasting to the state of profound and lasting of art to achieve the mysteries of life and art,which is realized in the two points,mind arrived the Wu state and beauty arrived the state without me.So far,the scholars in the Wei and Jin Dynasty drifted apart the body with desire,but their spirit of life existed in the life and art as a logical relationship,which became the inner logical relationship of the artistic spirit and personality.

关 键 词：魏晋名士 身心 艺术 境界 

分 类 号：I206.2[文学—中国文学]