德意志文化传统中的斯特凡·格奥尔格  

A Study on Stefan George in German Cultural Tradition

作　　者：杨宏芹[1] YANG Hong-qin(Institute of Foreign Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院外国文学研究所,北京100732

出　　处：《杭州师范大学学报（社会科学版）》2018年第6期59-67,共9页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：国家哲学社会科学研究基金一般项目"斯特凡.格奥尔格的诗学研究"(17BWW078)的研究成果

摘　　要：斯特凡·格奥尔格是19世纪末德国唯美主义重要诗人,他一生批判现代性,追求用诗歌构建精神王国。格奥尔格的这些思想继承和发扬了尼采的批判性思想、席勒的美育思想以及费希特的民族主义思想,分析他们之间的承扬关系,尤其聚焦格奥尔格与德意志第二帝国的对峙与同构,可以看出格奥尔格在德意志文化传统中的独特地位与贡献。Stefan George,who was an important poet of aestheticism at the end of 19th century,criticized modernity and sought for the construction of spiritual kingdom via poems all through his life.In fact,his thoughts inherited and carried forward Nietzsche s critical thinking,Schiller s aesthetic education thought and Fichte s Nationalism.By comparing their relationships between inheritance and development,especially focusing on the confrontation and isomorphism between Stefan George and the second German Empire,his unique position and contribution in the German cultural tradition could be identified.

关 键 词：斯特凡·格奥尔格 现代性批判 审美救赎 精神王国 尼采 席勒 费希特 

分 类 号：I37[文学—其他各国文学]