微纪录片《大同龙壁》对地方文化的表达和传播  

Expression and Dissemination of Local Culture in the Micro Documentary Datong Dragon Wall

作　　者：周世菊[1] 赵海荣 ZHOU Shi-ju;ZHAO Hai-rong(School of Education Science and Technology,Shanxi Datong University,Datong Shanxi,037009;School of History and Tourism Culture,Shanxi Datong University,Datong Shanxi,037009)

机构地区：[1]山西大同大学教育科学与技术学院,山西大同037009 [2]山西大同大学历史与旅游文化学院,山西大同037009

出　　处：《山西大同大学学报（社会科学版）》2018年第6期85-88,共4页Journal of Shanxi Datong University(Social Science Edition)

基　　金：山西省哲学社会科学"十二五"规划2015年度课题"智慧城市视角下北魏文化遗产数字化传承体系的研究";大同市软科学研究项目"新媒体环境下提升大同城市形象的人文记录片创作与研究"(201623);山西大同大学2018校级青年项目"基于IP开发的大同历史文化微纪录片创作研究"(2018K21)

摘　　要：微纪录片是随着网络、手机等流媒体的发展应运而生,脱胎于网络视频,兼具网络视频和传统纪录片的优点。微纪录片逐步成为视觉文化的一部分,并演变为一种新的艺术形式。以《大同龙壁》为例,探讨微纪录片对大同文化的表达和传播。The micro documentary has gradually become a part of the visual culture and evolved into a new form of art.Micro documentary is coming along with the development of streaming media such as network and mobile phone.It is born out of network video,combined with the characteristics of traditional documentary,and has the advantages of online video and traditional documentary.Taking the original micro documentary"Datong Dragon Wall"as an example,the expression and dissemination of the micro documentary on the Datong culture are explored in the context of visual culture.

关 键 词：视觉文化 微纪录片 大同龙壁 文化传播 

分 类 号：G252.9[文化科学—图书馆学]