冰心1940年代创作谈研究  

On Bing Xin's Creation Discourses in 1940s

作　　者：江震龙[1] 迟伟红[2] JIANG Zhenlong;CHI Weihong(School of Literature,Fujian Normal University,Fuzhou 350007;School of Journalism andCommunication,Northeast University of Finance and Economics,Dalian 116025,China)

机构地区：[1]福建师范大学文学院,福建福州350007 [2]东北财经大学新闻传播学院,辽宁大连116025

出　　处：《河南科技学院学报（社会科学版）》2018年第11期83-86,共4页Journal of Henan Institute of Science and Technology

摘　　要：冰心在1940年代写的《序》《自序》《后记》《自传》等文章中涉及创作谈问题,她在重庆做过三次比较集中、系统的关于创作谈的演讲,这些创作谈主要从写作条件、写作内容和写作技巧三个层面展开。写作条件:多走多看、多听多练,选择环境、有利写作,养成人格、形成风格,制造环境、培养兴趣。写作内容:生活经历、观察体验,国民性格、时代特点,呈示问题、解剖社会,童年回忆、灵感抒写。写作技巧:顺应自然、不拘一格,客观冷静、忠实描写,修炼字句、声韵优美,精确明了、地方特色。冰心1940年代的创作谈,是在阅读古今中外名著、总结自己创作经验和评价新人写作得失的基础上建构起来的,虽然没有系统的理论体系、严密的逻辑推理,但是具有鲜明个性、科学实用、可以操作。Bing Xin wrote“the preface”,“the postscript”and“the autobiography”in the1940s.She gave three concentrative and systematic speeches on creative discourse in Chongqing.These creative discourses were mainly carried out from three aspects:writing conditions,writing content and writing skills.Bing Xin’s creation talks in1940s were constructed on the basis of reading ancient and modern Chinese and foreign classics,summing up her own creative experience and evaluating new people’s writing gains and losses.Although there was no systematic theoretical system and strict logical reasoning,they had distinct personality,scientific and practical,and can be carried out.

关 键 词：冰心 1940年代 创作谈 条件 内容 技巧 

分 类 号：I206[文学—中国文学]