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作 者:樊艺勇[1] Fan Yiyong(Physical Education College of Henan Agricultural University,Zhengzhou Henan 450004,China)
出 处:《武术研究》2018年第12期34-37,共4页Wushu Studies
摘 要:文章运用文献资料法、访谈法、分析法等方法进行研究,认为武术套路的演练风格与舞蹈的艺术表现形式上有异曲同工之处,发现二者从历史的角度上是具有同源性的。在当今各大院校各类艺术缤纷繁华的时代,武术套路的演练和编排水平要想突破瓶颈,打破千篇一律的动作风格,想要有质的变化和提升,应从舞蹈动作的表现形式上取得借鉴和创新上的突破,在高校的教学模式中,武术真正在编排演练中能给人以耳目一新独特的风格和动作的美感和感受视觉上的感染力和听觉上的冲击力。By using the methods of literature,interview and analysis,this paper holds that there are similarities and differences between the training style of Wushu routine and the artistic expression of dance,and finds that they have the same origin from the historical point of view.In today's era of colorful and prosperous arts in colleges and universities,if we want to break through the bottleneck,break through the uniform movement style,and want to have a qualitative change and promotion,we suggest that we should make a breakthrough in the form of expression of dance movements.Then we should make a breakthrough in the teaching mode in colleges and universities.In order to make Wushu really give people a new and unique style and action of the aesthetic feeling,and feel the visual appeal and auditory impact,"Wushu"can really be combined with dance.
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