论《天龙八部》中的妖女形象及其文化意蕴  

On the Images of Vamps and Their Cultural Significance in Demi-Gods and Semi-Devils

作　　者：沈玲[1] Shen Ling

机构地区：[1]厦门大学嘉庚学院

出　　处：《华文文学》2018年第6期25-31,共7页Literatures in Chinese

基　　金：福建省哲学社会科学项目"台湾现代海洋诗研究";项目编号:FJ2017B130

摘　　要：《天龙八部》中一群容颜娇美、心狠手辣的妖女形象在男性为主的武林世界中颇为引人注目,她们令人瞠目的行为背后是其成长的环境因素、早期记忆和为情所困的痛苦。本文即结合阿德勒的心理学理论,以妖女为切入点,重点探讨《天龙八部》中这些美且邪恶的妖女特征及其为妖原由,并归纳金庸塑造这类妖女形象所彰显的文化意蕴。In Demi-Gods and Semi-Devils,what catches attention is a number of vamps that are pretty but ruthless in a martial arts world dominated by males as what lies behind their shocking action is the factors in the environment in which they grow up,their early memories and their love-involved pain.With vamps as the starting point,this article,in connection with Adler’s theory of psychology,mainly discusses the characteristics of these beautiful but evil vamps and the reasons why they have become the vamps in Demi-Gods and Semi-Devils,and sums up the cultural significance highlighted by such vamps as created by Louis Cha Jin Yong.

关 键 词：金庸 《天龙八部》 妖女 阿德勒 

分 类 号：I207[文学—中国文学]