两岸流行音乐风格与受众审美考察——以1980～2015年北京与台北流行音乐个人演唱会为例  

On the Investigation of Cross-strait Popular Music Style and Audience Aesthetic——Analysis of the Personal Concerts of Popular Music in Beijing and Taiwan from 1980 to 2015

作　　者：吕钰秀[1] 毕乙鑫[1] Lu Yuxiu;BI Yixin

机构地区：[1]中央音乐学院音乐学系,北京100031

出　　处：《艺术探索》2018年第6期99-108,共10页Arts Exploration

基　　金：教育部人文社会科学重点研究基地项目"两岸流行音乐风格研究--1950年以来传媒活动与听众审美观察"(15JJDZONGHE026)

摘　　要：两岸的流行音乐个人演唱会均起步于20世纪80年代,至21世纪呈现蓬勃发展的状态。1980～2015年间,台湾流行音乐一直盛行不衰,大陆流行音乐发展迅速,在两岸流行乐坛占据了重要地位。两岸流行音乐受众的审美愈加多元化,既"喜新"又"怀旧"。各自对于"怀旧"呈现了不同的偏好:大陆受众更为偏爱摇滚风格,而台湾受众则对闽南语歌曲格外钟情。The personal concerts of popular music on both sides of the strait started in the 1980s and flourished in the 21st century.Between 1980 and 2015,popular music in Taiwan has been prevalently developed,as well in the mainland,which occupying an important position in the cross-strait popular music scene.The aesthetics of the popular music audiences on both sides of the Taiwan Strait are becoming more diversified,both"fond of new"and"nostalgic".Each has different preferences for"nostalgic":Mainland audiences prefer rock style,while Taiwan Residents audiences are particularly fond of Taiwan Residents songs.

关 键 词：流行音乐 演唱会 怀旧 

分 类 号：J607[艺术—音乐]