艺术与共同体  

Art and Community

作　　者：邹建林[1] 

机构地区：[1]四川美术学院美术学系

出　　处：《文化研究》2018年第2期225-239,共15页Cultural Studies

基　　金：教育部人文社会科学研究规划基金项目“图像知觉的范式及其历史变迁”(13YJA760074)

摘　　要：当代艺术产生的背景之一是博物馆逻辑的失效,即无法区分艺术和非艺术。这一失效使博物馆中的物品不再理所当然地具有艺术作品的地位。艺术作品的地位和意义是艺术共同体赋予的。为了形成艺术共同体,需要一种临界状态。临界状态分为两种:主体的临界状态和媒介的临界状态。在神话失落的现代艺术和当代艺术中,媒介的临界状态是艺术作品获得意义的重要机制。Contemporary arts originated in the context that the logic of museum became ineffective,that is,no distinction between art and non-art.This inefficacy made objects in museums can no longer maintain their take-for-grandted status as an artwork.The status and significance of an artwork is endowed by the art community.In order to form art community,it needs a critical condition,which can be divided into critical condition of subject and that of media.In modern and contemporary arts with the fall of mythology,the critical condition of media is the essential mechanism by which an artwork may obtain significance.

关 键 词：艺术共同体 临界状态 博物馆 

分 类 号：J05[艺术—艺术理论]