卡夫卡、萧红笔下父亲形象比较研究——以《判决》与《旷野的呼喊》为例  

Comparative Study of the Image of Father in Works Written by Kafka and Xiao Hong:——A Case Study of Das Urteil and Cry in the Field

作　　者：刘婷婷[1] LIU Ting-ting(Foreign Studies College,Hunan Normal University,Changsha410006,China)

机构地区：[1]湖南师范大学外国语学院,湖南长沙410006

出　　处：《湖北工业职业技术学院学报》2018年第6期61-64,共4页Journal of Hubei Industrial Polytechnic

摘　　要：卡夫卡作为世界上最具影响力的作家之一,被誉为西方现代主义文学的先驱;萧红是中国近现代女作家,"民国四大才女"之一,被誉为"20世纪30年代的文学洛神"。"父亲"在两位作家笔下均存在"悖反"形象,同时又各有特色。本文从分析两位作家作品父亲形象的成因出发,结合文本性体现,尝试提炼出两人在面对父亲权威形象与创作表现手法上的异同。Kafka,one of the most influential writers in the world,is regarded as the pioneer of western modernist literature.Xiao Hong,a Chinese modern woman writer,is one of the four talented women in Republic of China and called the Goddess of Literature in1930s.The images of father depicted in both writers’works are contradictory but unique.This paper starts with the analysis of the formation of father’s image in the works of both writers,attempts to summarize the similarities and differences in creative expression technique of two writers.

关 键 词：父亲形象 卡夫卡 萧红 

分 类 号：I042[文学—文学理论]