视觉诗的多模态话语分析——基于视觉语法及美学意义的解读  

A Multimodal Discourse Analysis of Visual Poetry——Based on Visual Grammar and Aesthetic Meaning

作　　者：国防[1] GUO Fang(School of Foreign Languages,North China Electric Power University,Beijing 102206,China)

机构地区：[1]华北电力大学外国语学院,北京102206

出　　处：《华北电力大学学报（社会科学版）》2018年第6期111-117,共7页Journal of North China Electric Power University(Social Sciences)

基　　金：华北电力大学教学名师培育项目(GJ2014004)

摘　　要：多模态话语分析是近年来国内外研究的热点。本研究从视觉语法及美学理论出发,对视觉诗这种多模态语篇的符际关系及意义建构进行分析。研究发现视觉诗中多模态话语间存在互补和非互补的符际关系,而互补关系又包括突出、主次和扩充关系。多个模态相互合作充分表现出视觉诗的再现、互动、构图和美学意义,使视觉诗的主题表达达到最佳效果。Multimodal discourse analysis is a research focus at home and abroad in recent years.This study aims to analyze the intersemiotic relationship between modes and meaning construction within visual poetry.It is found that the intersemiotic relationship between modes within visual poetry is either complementary or non-complementary and complementary includes highlighting,expanding,and being primary and secondary.Various modes work together to express its representational,interactive,compositional,and aesthetic meaning,ensuring a successful meaning expression of visual poetry.This study is a good try in appreciating visual poetry from different perspective.

关 键 词：视觉诗 多模态话语 符际关系 美学意义 

分 类 号：H314[语言文字—英语]