汉佩杂考(二):翁仲、舞人  

Study on Han Pei Ⅱ: The Shape of a Man Named Wengzhong and a Female Dancer

作　　者：卢丁[1] Lu Ding

机构地区：[1]四川大学

出　　处：《艺术设计研究》2018年第4期13-19,共7页Art & Design Research

摘　　要：汉玉佩"玉舞人""玉翁仲",由明清金石学家命名,被看作为秦汉避邪、厌胜佩饰。由于这类玉佩相关文献记载少,使得以往的研究中存在一些误读。本文以墓葬出土、汉画及传世资料中的汉代玉佩"翁仲""舞人"为研究对象,结合文献记载,分析其作为汉代日常佩饰的名称、造型源起以及宗教内涵。本文是关于"汉佩杂考"系列的第二部分,第一部分请详见本刊2017年第3期本栏目已经发表的《汉佩杂考(一):刚卯、严卯》。The Jade ornaments in Han Dynasty(202BC^220AD),have the shape of a man named Weng-Zhong and the female dancer,are known as Yu Wengzhong and Yu Wuren which are named by epigraphers between the Ming to Qing Periods(1368~1840CE).These jade ornaments were seen as evil spirits between the Qin to Han Periods(221BC^220AD).There are few literatures on this kind of jade ornaments and some misunderstandings in previous studies.Thus,combing with the literatures,unearthed materials from tombs,paintings of Han Dynasty and handed down materials,this paper is analyzing the origin of the name and shape of these jade ornaments and their religious connotation.This paper is the second part of the series of Study on Jade Ornaments in the Han Dynasty.The first part,A Study on Han Pei I:Gangmao and Yanmao,published in this academic journal(Art&Design Research,2017.03).

关 键 词：翁仲 玉舞人 南方信仰 女神 

分 类 号：J18[艺术—艺术理论]