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作 者:宋炀[1] Song Yang
机构地区:[1]北京服装学院
出 处:《艺术设计研究》2018年第4期46-55,共10页Art & Design Research
基 金:国家社科基金艺术学项目"丝绸之路上的中西方染织与服饰文化交流研究"(项目编号:15CG155);北京市教委社科基金项目"清代以降中华服饰文化的近现代转型研究"(项目编号:SM201910012003);2018年国家公派留学基金青年骨干教师项目的阶段性成果
摘 要:13世纪蒙古西征和扩张以及由此形成的政治格局致使欧亚大陆间的国家疆界开放,极大地促进了西亚、中亚与中国之间的跨文化交流。蒙古政权统治在伊朗及周边地区设置的藩属政权伊儿汗国(1256~1355年)使丝绸之路上东西方两大帝国—中国和伊朗两地之间的纺织文化交流达到空前巅峰。以此为文化背景,本文分别探讨"蒙古统治时期伊朗的‘中国风’"和"蒙元时期中国纺织品上的伊斯兰风格"两个问题,通过研究和比较中国与伊朗两地纺织品的纹样风格与文化特征,探讨13~14世纪蒙古伊朗与蒙元时期的中国之间的纺织文化交流情况,并分析两种纺织文化深度交流的原因和重要意义,以期一窥中世纪末期丝绸之路上东西方跨文化交流的盛况。Mongol invasions and conquests progressed throughout the central and western Asia,resulting in the vast Mongol Empire,which,by 1300,has opened up the borders between countries in Eurasia and greatly promoted cross-cultural exchanges between West Asia,Central Asia and China.The Mongolian regime ruled the establishment of a suffrage regime in Iran and surrounding areas:Ilkhanate(1256~1355),which has caused the textile and cultural exchanges between the two empire of the East and the West on the Silk Road,China and Iran,to an unprecedented peak.This paper takes it as a cultural background and discusses two issues separately:Chinoiserie in Iranian during Mongolian rule and The Islamic style on Mongolian Chinese textiles.Through research and comparison of the style and cultural characteristics of textiles in China and Iran,we explore the textile and cultural exchanges between Mongolian Iran and Mongolian China in the 13th-14th century.And analyze the reasons for the deep exchange of the two textile cultures,with a view to the glimpse of the cross-cultural exchange between the East and the West on the Silk Road in the late Middle Ages.
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