乡村振兴背景下壮民族优秀传统文化传承创新的审美人类学视域  

THE INHERITANCE AND INNOVATION OF THE FINE TRADITIONAL CULTURE OF THE ZHUANG IN PERSPECTIVE OF AESTHETIC ANTRHOPOLOGY IN THE CONTEXT OF RURAL REVITILIZATION

作　　者：王敦[1] Wang Dun

机构地区：[1]南宁职业技术学院

出　　处：《广西民族研究》2018年第6期131-139,共9页GUANGXI ETHNIC STUDIES

基　　金：南宁职业技术学院2017年度正高职称人员专项资助经费科研项目<壮民族传统文化的审美人类学探究>(2017ZX08)

摘　　要：在新时代乡村振兴战略中,"产业兴旺、生态宜居、治理有效、生活富裕"是形式和目标,本质与内涵是"乡风文明、家风良好、民风淳朴"。壮民族审美文化在狭义上我们指那些壮民族非物质文化遗产,在广义上指那些曾经的和现在的乃至将来的壮民族的生存方式。在艺术和审美上,我们把它表述为"重塑乡贤、发掘乡土、感怀乡愁"。在审美基本情感结构上,我们把它概括为"小康梦"与"乡愁乌托邦"。文章主要探讨了在广西实施"乡村振兴"战略进程中,如何传承和创新壮民族优秀传统文化,使之在"乡风文明"建设中发挥应有的作用,进而诠释艺术和审美是如何参与"乡村振兴战略"的当代美学问题。The rural revitalization strategy of the new era refers to prosperous industry, suitable for accommodation ecologically, effective governance, and well-off in living in terms of forms and objectives, the essence and connotation of it are actually the civilization of social ethos, family style, and simple folk customs. In the narrow sense, the Zhuang aesthetic culture refers to the intangible cultural heritage of the Zhuang, in a wide sense, it refers to the way of survival of the Zhuang people in the past, at present and even in the future. We formulate it as“reshaping rural sages, excavating rural culture and preserving the rural memories”in the light of art and aesthetics, or“a dream of fairy well-off ”and“hometown Utopia”we summarized in the basic emotional structure of aesthetics. The contemporary aesthetics can make contribution to the implementation of the rural revitalization strategy in Guangxi.

关 键 词：壮民族传统文化 乡村经验 情感结构 审美资本主义 

分 类 号：C958[社会学—民族学]