检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:张兴梅[1] ZHANG Xing-mei(Shandong University of Science and Technology,Qingdao,Shandong 266590)
机构地区:[1]山东科技大学,山东青岛266590
出 处:《牡丹江教育学院学报》2018年第5期57-59,共3页Journal of Mudanjiang College of Education
基 金:山东省教育科学"十三五"规划课题"‘一带一路’视域下中西文化对比及中华文化对外传播研究"(编号:BYGW2017010)阶段性成果
摘 要:中美动画都有近百年历史,均经历过辉煌、低迷的阶段,但是美国动画走出了低谷,形成自身的特点,建立了自己的国际霸主地位,中国动画仍然在摸索中。中美获奖动画影片取得了艺术上的成功,文化价值观念上也得到本国文化的认可。本文分别从题材类型、内容主题及人物形象三个方面对这些电影进行比较,分析异同,并利用跨文化理论探寻其差异的文化根源,进行深层文化分析与阐释,从而取长补短,能够为中国动画发展提供启示。China and America both have produced animation for nearly a hundred years,experiencing ups and downs,but the American animation got out of the tough stage,formed their own characteristics,and established their international leading status.At present,Chinese animation is still on the way to real success.Award-winning animated films produced by China and America have achieved artistic success,and cultural values have also been recognized by the national culture.This paper compares these films from the three aspects of theme type,content theme and figure image,analyzes the similarities and differences,and uses the cross-cultural theory to explore the cultural roots of the differences,making a deep culture analysis and the explanation,so as to complement each other,which can provide the Enlightenment for the development of Chinese animation.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.38