艺术传播视野下的“熵”与经典建构  

“Entropy” and Classic Construction from the Perspective of Art Communication

作　　者：翁再红[1] WENG Zai-hong(Institute of Art Studies,Nanjing University of the Arts,Nanjing Jiangsu 210013,China)

机构地区：[1]南京艺术学院艺术学研究所,江苏南京210013

出　　处：《临沂大学学报》2019年第1期93-100,共8页Journal of Linyi University

基　　金：国家社科基金艺术学青年项目(12CA068);"江苏省文化创意协同中心"项目资助

摘　　要：立足于艺术传播的视野考察经典建构问题,"熵"是一个颇具理论启示意义的概念。艺术作品能否成为经典,与其自身所具有的"熵值"息息相关。概括而言,在艺术经典化的历程中,作品的"熵值"至少体现在三个方面:其一,从文本的形式因素出发,熵表现为一种形式上的陌生化;其二,从文本的内容因素出发,熵表现为一种思想上的反叛性;其三,从文本的整体因素出发,熵又表现为一种风格上的原创性。"熵"作为信息传播的核心概念之一,因此可以为艺术经典的建构问题提供更具开拓性的考察路径。Based on the perspective of art communication,“entropy”is an enlightening concept in the study of classic construction.Whether an artwork can become a classic depends largely on its own“entropy value”.In short,in the process of classic construction,the“entropy value”of an artwork embodies at least the following three aspects.First of all,entropy is a defamiliarization in terms of the text form.Secondly,entropy is an ideological rebellion in terms of the text content.Finally,entropy refers to the originality in style in terms of the text as a whole.As one of the core concepts of information dissemination,“entropy”can be applied in opening up a pioneering approach to the construction of art classics.

关 键 词：艺术传播 熵 经典建构 

分 类 号：J0-05[艺术—艺术理论]