20世纪初期成都开设女性电影专场考论——兼补《成都电影志》之误  

An Examination of the Special Film Screenings for Women in Chengdu in the Early 20th Century:Complementing the Mistake of Chengdu Movies Records

作　　者：邹华芬[1] CHENG Dexiang(College of Liberal Arts,Qufu Normal University,Jining,Shandong 273165,China)

机构地区：[1]西南民族大学文学与新闻传播学院,四川成都610041

出　　处：《宜宾学院学报》2018年第10期67-73,88,共8页Journal of Yibin University

基　　金：2014年四川省社科基金"民国时期成都电影院研究"(SC14B107)

摘　　要：《成都电影志》认为,成都开设女性电影专场的禁令直到1919年才开始有所松动,但相关史料显示,1914年8月,当局就明确批准了该项活动的开展,更不用说批准之前早就实际存在的面向女性的映演活动。二十世纪一二十年代成都女性电影专场的开设,表明这一时期的女性仍然处于"男女大防"的传统语境中。在禁令与许可拉锯的背后,既有地方精英对"男女大防"的固守与焦虑,也有茶馆戏园等商业出于盈利方面的诉求,更有都市女性主动争取进入公共空间分享近代化进程的强烈意愿。According to Chengdu Movie Records,the ban on the special film screenings for women in Chengdu had not been loosened until 1919. However,relevant historical data showed that in August 1914,the authorities had explicitly approved the application,not to mention the actual female-oriented screenings that had existed before the approval. The special film screenings for women in the first two decades of the 20 th century in Chengdu shows that women in this period are still in the traditional context of "men and women big defense". Behind the ban and permit sawing,there are both local elites’ persistence and anxiety about"men and women big defense",as well as commercial and commercial appeals such as teahouses and drama gardens,and the strong will of urban women seeking to enter the public space to share the process of modernization actively.

关 键 词：二十世纪初期 女性电影专场 成都电影志 

分 类 号：J905[艺术—电影电视艺术]