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作 者:张林贺 ZHANG Linhe(School of Culture and Communication,Zhengzhou Institute of Technology, Zhengzhou,Henan 450044,China)
机构地区:[1]郑州工程技术学院文化传播学院,河南郑州450044
出 处:《中州大学学报》2019年第1期24-29,共6页Journal of Zhongzhou University
摘 要:近年来,非虚构写作成为中国文坛、传统媒体、原生新媒体等共同关注的一个热词。其倡导的创作主体在场性、事实的亲历性、结局的反思性等叙事特点,呼应了中国文学和传播阈值中个性化和人性化觉醒的现实需求,突破了不同文体的内在规定性和固化特征,呈现出更为开放多元、更具内部张力的写作态势。梳理了非虚构写作在中国文学领域和新闻领域的发展现状,厘清了文学领域与新闻领域非虚构写作的异同,提出了非虚构写作在两个领域的创新发展方向。In recent years,non-fiction writing has become a hot topic in the Chinese literary world,traditional media,and original new media. The narrative features,such as the presence of creative subject,the factual experience and the reflection of ending,echo the realistic needs of individualized and humanized awakening in Chinese literature and communication thresholds,break through the inherent stipulations and solidification characteristics in different literature styles,show a more open and diverse,tensile internal writing situation. This paper summarizes the development status of non-fiction writing in the field of Chinese literature and journalism,clarifies the similarities and differences between non-fiction writing in the field of literature and journalism,and proposes the innovative development direction of non-fiction writing in two fields.
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