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作 者:王亚聪[1] WANG Yacong(School of Foreign Languages,Zhengzhou University,Zhengzhou,Henan 450001,China)
出 处:《中州大学学报》2019年第1期95-99,共5页Journal of Zhongzhou University
摘 要:随着言语隐喻难点发展,视觉隐喻研究也迅猛发展,标志着隐喻研究开始从单一模态向多模态方向发展。此类研究主要关注于视觉隐喻的分类和特定语类中视觉隐喻的应用分析,对比分析较少,且缺乏对特定视觉隐喻普适又独特表征背后理据的深入探究。在此基础上,搜集了31幅展现动物隐喻的汉英政治漫画,对比分析其在构图、尺寸、布局等表征方面的异同,尝试从体验和文化双维度对其异同的深层理据进行探寻。With the development of verbal metaphor research,visual metaphor research has also developed rapidly,marking the beginning of metaphor research from mono-modality to multimodality. This kind of research focuses on the classification of visual metaphors and the analysis of the use of visual metaphor in the specific genre,lacking comparative analysis and in-depth exploration of the rationale behind the universal and unique representation of specific visual metaphors. On this basis,this paper collects 31 Chinese and English political cartoons manifesting animal metaphor,compares the similarities and differences of their representations in terms of size,color,layout and so on,and attempts to explore their deep grounds from dual dimensions of experience and culture.
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