从肉体到乌托邦:穆旦“玄学”的一个侧面  

From Body to Utopia: a Facet of Metaphysics in Mu Dan' Poems

作　　者：刘华[1] LIU Hua(Faculty of Humanities and Media, Ningbo University, Ningbo 315211, China)

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《宁波大学学报（人文科学版）》2019年第2期31-38,共8页Journal of Ningbo University：Liberal Arts Edition

摘　　要：玄学,是中国新诗派代表诗人穆旦诗歌中的一个异质性特征。通过诗学与生命的实践,穆旦的诗和诗的穆旦构成了一体同构的内在关联。穆旦的玄学介于传统与现代之间,具有殖民和本土两重身份,体现在诗歌创作中,形成了出走与回归、光明与黑暗的动力和主题。以肉体为本位的穆旦式的玄学,一方面对乌托邦话语具有解构效应,另一方面则因其固有的浪漫精神,重新以隐蔽而执拗的方式皈依元叙事形式的乌托邦。The Metaphysical,a heterodox characteristic,belongs to Mu Dan’Poems as a topic poet from Chinese New Poetry School.Mu Dan’Poems and poetic Mu Dan,which constitutes as an united structure,are interrelated each other inherently.Mu Dan’Metaphysics,between tradition and modern,possess dual identities as the native and the colonial,which is incarnated in his poetic work and shapes the themes,such as the fleeing and the returning,the bright and the dark.The Metaphysical which is on the basis of the flesh,deconstructs discourse about the utopia,meanwhile,is converted to the utopia as the meta-narrative due to its inherent romantic spirit.

关 键 词：穆旦 诗歌 玄学 肉体 乌托邦 

分 类 号：I206.7[文学—中国文学]