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作 者:朱赢 ZHU Ying(Department of Philosophy, Peking University, Beijing 100871, China)
机构地区:[1]北京大学哲学系,北京100871
出 处:《同济大学学报(社会科学版)》2019年第1期95-106,共12页Journal of Tongji University:Social Science Edition
摘 要:从《毛诗》系统来看,"夏南之乱"是"诗亡春秋作"的转折性事件。《左传》对此有深入记载。夏姬是整个事件的核心人物,但这个女主角几乎隐在幕后。《左传》叙事并不将历史眼光停留于女人的作为,这一取向值得深究。夏南之乱显露出"个人正当"与"礼法正义"的冲突,而"礼法正义"在叙事倾向中占绝对上风:不仅是德性,也包括由德性所规范的礼法秩序。从《诗》亡《春秋》作的转折可见,两性关系中潜藏的政治德性何以推动家国命运之兴衰。In the academic system of “Mao Shi”, Xia’nan’s rebellion is a turning point between Shi and Chunqiu , and this event is specified in Zuo Zhuan . Xiaji is a core figure of the whole event, but the narration of Zuo Zhuan does not focus on the actions of women in the historical perspective, which is worth exploring . Xia’nan’s rebellion reveals the conflict between “personal justice” and “moral standard justice”, and “moral standard justice” absolutely prevails in the narrative tendency, which includes not only virtue, but also the moral standard order regulated by virtue. It can be seen from the turning point between Shi and Chunqiu that the political virtue hidden in the relationship between men and women can make an impact on countries’ rise and fall at that time.
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