蒙满联姻与京剧在内蒙古地区的传播  

Manchu-Mongol Marriage and the Spread of the Peking Opera in Inner Mongolia

作　　者：武云霞[1] WU Yunxia

机构地区：[1]内蒙古工业大学马克思主义学院

出　　处：《浙江艺术职业学院学报》2018年第4期36-40,共5页Journal of Zhejiang Vocational Academy of Art

基　　金：内蒙古自治区哲学社会科学规划项目成果。(项目编号:2018NDB100)

摘　　要：清末民初,与满清皇室联姻的蒙古王公因其身份的特殊性,多有机会接触为清廷统治者所喜爱的京剧。返回本旗后,他们纷纷修建豪华的戏台戏楼,或邀请内地戏班前来演出,或兴办自己的王府戏班,并着力培养出一批本土蒙古族优秀表演人才,这些都在客观上推动了清末民初京剧在内蒙古地区的传播,更为京剧在蒙地的生根发芽、繁荣兴盛带来不可多得的契机。At the end of the Qing Dynasty and beginning of the Republic of China,the Mongolian aristocrats who married the royal family were exposed to the Peking Opera,which was relished by the Manchu rulers.After returning to their hometown, the Mongolian aristocrats built luxurious stage theaters and invited the mainland troupe or set up their own palace troupe to perform.Efforts were also taken to cultivate outstanding local Mongolian performers. The emergence of Peking Opera theaters and performers objectively promoted the spread of the Peking Opera in Inner Mongolia in the early Republic of China, and created a valuable opportunity for the Peking Opera to establish and prosper in Inner Mongolia.

关 键 词：满蒙联姻 蒙古王公 王府戏楼 王府戏班 本土演员 

分 类 号：J821[艺术—戏剧戏曲]