飞翔意象与阮籍《咏怀》诗的营构——阮籍《咏怀》飞翔意象内蕴分析  

On the Flying Images and Construction of Ruan Ji's Lyric Poems——An Analysis of Flying Images in Ruan Ji's Yong-huai

作　　者：石康宁 李建栋[1] SHI Kang-ning;LI Jian-dong(School of Literature,Anhui Normal University,Wuhu 241002,Anhui)

机构地区：[1]安徽师范大学文学院,安徽芜湖241002

出　　处：《宝鸡文理学院学报（社会科学版）》2019年第1期106-111,共6页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：飞翔意象在阮籍《咏怀》诗中有诗心、诗情、诗法、诗境四个营构向度。飞翔意象传达出诗人的行藏与心迹,演绎着诗人的缥缈哲思;其既触动了抒情主人公的悲情,也被诗人打上了特定情感的烙印;阮籍对飞翔意象的书写推进了此类诗歌的抒情模式,诗中的情思因此变得隐晦飘忽,富于比兴意味;诗人借飞翔意象的描写,隐约构建出一种温柔、哀凉的诗境。The flying images in Ruan Ji’s poem Yong-huai have four dimensions:heart,emotion,method and artistic conception.It conveys the poet's choices and minds,and reflects the poet’s ambiguous philosophical thoughts.It not only touches the sadness of the lyric protagonist,but also marks the poet with particular kind of emotion.Ruan Ji's flying images promote the lyric mode of this kind of poems,make the artistic emotion in lyric poetry more obscure and elusive.With the help of the flying images,Ruan Ji created a kind of gentle and sad poetic mood.

关 键 词：阮籍 飞翔意象 《咏怀》 

分 类 号：I206.2[文学—中国文学]