感性聆听·理性呈示·合式言说——以勃拉姆斯《第一交响曲》为个案研究  

Listening Perceptually, Presenting Rationally, and Speaking Jointly

作　　者：孙懿凡 Sun Yifan

机构地区：[1]上海音乐学院音乐学系,上海200030

出　　处：《南京艺术学院学报（音乐与表演版）》2019年第1期66-71,I0009,共7页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：本文以情感体验"悲"的色调与性质作为切入口,通过两个感性修辞关联勃拉姆斯《第一交响曲》的音色结构力和调性结构力,对勃拉姆斯音乐中的悲如何存在进行解读,从而进一步证明感性体验的可靠性,并最终切中本文意图说明的音乐学写作命题:在音乐的声音里究竟能够听出什么?This article takes the color and nature of emotional experience "sadness" as the entry point and connects the timbre structure and tonal structure of Brahms' first symphony in order to interpret the existence of sadness in the music of Brahms. It further proves the reliability of perceptual experience and eventually gets to the musicological writing proposition intended by this paper: what actually can be heard in the sound of music?

关 键 词：勃拉姆斯《第一交响曲》 悲 绊人心 却上心头 音乐学写作 

分 类 号：J601[艺术—音乐]