主体还是附庸:柏拉图诗人观念再认识  

The Subject or Dependency: Rethinking Plato's Concept of Poets

作　　者：孟凡萧 Meng Fanxiao(School of Chinese Language and Literature, Anhui University, Hefei 230039, China)

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《齐鲁师范学院学报》2019年第2期104-111,共8页Journal of Qilu Normal University

摘　　要：在对话中,柏拉图对于诗人的主体地位问题有着复杂而矛盾的观点:在诗歌创作上,他认为诗人只是神的传声筒,没有作为创作者的主观性和能动精神;在认识论上,他又将诗人看作创作主体,是诗人的无知导致诗歌的堕落。柏拉图这一观点貌似矛盾,但是经过细加考察之后,发现他的这一看似矛盾的观点,实质上对诗人提出更高的要求:希望诗人恢复自身主体地位,在自身才能和神灵感发双重作用下,寻求和传播永恒的"理式",引导城邦公民"仰望星空"。In the dialogue, Plato has a complicated and contradictory view on poets’ subject status: in poetry creation, he believes that poets are only the megaphone of God and there is no subjective and active spirit as creators;in epistemology, he regards poets as the subject of creation and it is the ignorance of poets that leads to the fall of poetry. Plato’s view seems contradictory, but after careful examination, we found that this seemingly contradictory view puts higher demands on poets: he hopes that poets will restore their own subject status with own talents and inspiration to seek and spread the eternal “eidos” and guide the city-state citizens to “look up at the starlit sky”.

关 键 词：柏拉图 主体地位 灵感说 

分 类 号：B502.232[哲学宗教—外国哲学]