藏传佛教觉囊派绘画遗存概说  

An Introduction to the Painting Remains of Jo nang pa of Tibetan Buddhism

作　　者：闫雪[1] YAN Xue

机构地区：[1]上海社会科学院宗教研究所,上海200020

出　　处：《艺术探索》2019年第1期39-47,共9页Arts Exploration

摘　　要：藏传佛教觉囊派(Jo nang pa)于11世纪发祥于今西藏拉孜县彭措林乡境内的觉囊沟。教派发展过程中创作了大量优秀的佛教艺术作品,成为藏传佛教艺术史研究的重要实例。现存觉囊派早期绘画遗存,主要以笃布巴于1330年在觉囊寺旁主持建造,后由多罗那他重修过的通卓钦摩大塔中残存的壁画为代表。觉囊大塔的壁画受到14世纪以夏鲁寺为代表的并受到萨迦派极其推崇的尼泊尔艺术风格影响,也继承了西藏后弘早期乃至西夏的艺术传统。甘丹彭措林寺壁画由多罗那他迎请藏地和尼泊尔艺术家为寺院创作了精美壮观的绘塑艺术作品,展现了成熟期的觉囊佛教艺术,堪称觉囊艺术的巅峰之作,也体现了多罗那他的宗教志趣和审美趣味。另外,西藏东部地区也有一部分保存下来的觉囊派早期绘画遗存。The Jo nang pa of Tibetan Buddhism originated in the 11 th century in Jo nang valley, Phun tshogs gling town, in IHa rtse county, Tibet. Since the formation of the sect, although it has not reached the scale of the other four grand sects, it has made a significant and unique contribution to the development of Tibetan Buddhism culture. At the same time, it also created a large number of excellent Buddhist works of art, which has become an important example of the study on the history of Tibetan Buddhism art. This article takes it as an example to briefly describe the painting remains of Jo nang pa in the context of the Buddhism.

关 键 词：觉囊派 彭措林寺 绘画艺术 

分 类 号：J229[艺术—美术]