《水死》的文学通化解读  

Literary Connection-transformation of Death by Water

作　　者：雷晓敏[1] LEI Xiaomin(Center for Foreign Literature and Culture, Guangdong University of Foreign Studies, Guangzhou 510420, China)

机构地区：[1]广东外语外贸大学外国文学文化研究中心,广州510420

出　　处：《广东外语外贸大学学报》2018年第6期46-52,共7页Journal of Guangdong University of Foreign Studies

摘　　要：《水死》是大江健三郎晚年的代表作之一。这部作品在三个方面呈现出文学通化的特点:其一是步入晚年的大江,写作水平已经达到了炉火纯青的地步,《水死》中使用了多种多样文学创作手法,构想出既古老又新颖的通化性故事;二是《水死》与日本的文史和社会现状浑然交融,而且用"回归"的思想探讨解决日本社会问题的出路;三是《水死》的创作具有"通和致化"的特点。可以说《水死》超越了回归母体的冲动。具体说,是通向和平、通向自然、通向人与自然的和谐。Death by Water is one of the representative works of Kenzaburō Oe in his later years. This work presents the characteristics of literary connection-transformation in three aspects. First,in his old age,Kenzaburō Oe has attained perfection in writing in that the novel,by using a variety of literary creation techniques,has conceived an old but fascinating connection-transformation story. Then,Death by Water blends with Japan’s cultural history and social situation,and uses "regression"thought to find a solution to Japan’s social problems. Third,the writing of the novel is characteristic of connection-transformation. It is concluded tentatively that Death by Water surpasses the impulse to return to the matrix and to be specific,it is to peace,to nature,and to the harmony between man and nature.

关 键 词：大江健三郎 《水死》 文学通化 天人合一 

分 类 号：I054[文学—文学理论]