从借洋兴中、推陈出新到人民性追求——五四以来的中国美术之路  

From Using the Western Learning to Rejuvenate Chinese Paintings;Weeding out the Old to Bring forth the New to Serving for the People:The Paths of Chinese Art since the May Fourth Movement

作　　者：刘曦林[1,2] 

机构地区：[1]中国美协美术理论委员会 [2]中国美术馆

出　　处：《美术》2019年第3期6-9,共4页Art Magazine

摘　　要：自1919年发生的五四运动开始,中国及中国美术已走过百年之路。抚今追昔,本文试图通过"借洋兴中之路"、"推陈出新之路"和"为人民之路"的梳理,回顾在中华民族复兴的百年历程中美术走过的艰难曲折道路,总结历史经验,并对当下中国美术的发展进行思考。China and Chinese arr have developed for about a hundred years since the May l ourrh Movcmcin 1919. Reflecting on the past in the light of the present, the paper makes a summary of art paths of using the Western learning to rejuvenate Chinese painrings, weeding out the old to bring forth the new, serving For the people to review the arduous and rortuous path of art in the hundred years of national rejuvenation and contemplate the present development of Chinese art.

关 键 词：五四新文化运动 借洋兴中 人民性 

分 类 号：J01[艺术—艺术理论]