70后女性书写的共性与个性——以《上海宝贝》与《道德颂》为例  

Generality and Individuality of Writings of the Female Writers born in 1970s: On Shanghai Baby and Ode to Morality

作　　者：刘蕙心 LIU Hui-xin(College of Literature,Henan University,Kaifeng 475000)

机构地区：[1]河南大学文学院,河南开封475000

出　　处：《阴山学刊》2019年第2期61-64,共4页Yinshan Academic Journal

摘　　要：《上海宝贝》与《道德颂》同为70后女作家的代表作品,其叙事主题中除却"大女主"与"三人行"的女性文学传统元素之外,更有对爱情与道德的不同思考。也正是对于后者的观照体现出了卫慧与盛可以的文学功力的差异,一个是哗众取宠般"昙花一现"的短暂惊艳,另一个则会给读者留下关于人生意义的思考。Shanghai Baby and Ode to Morality are both the representative works of the female writers born in 1970s.Their narrative themes include not only the traditional elements of female literature of “Big Lady” and “Three People’s Action”,but also different thoughts on love and morality.It is also the latter that reflects the difference between Wei Hui’s and Sheng Ke’s literary abilities.One is the short-term surprise of “flash in the pan” like sensationalism,and the other will leave readers thinking about the meaning of life.

关 键 词：女性 情感 道德 叙述 

分 类 号：I206.7[文学—中国文学]