现代小说的“空间形式”——“城/乡”之于“心灵”的意味  

The “spatial form”of modern novels: The Meaning of urban-rural to Human Soul

作　　者：贺昌盛[1] 吴晓玲 He Changsheng;Wu Xiaoling

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《东岳论丛》2019年第4期106-112,192,共8页DongYue Tribune

基　　金：国家社会科学基金重点项目"中国现代文学基础理论文献的整理与研究"(14AZW001)阶段性成果

摘　　要：文学是人类的心灵呈现出来的其所感知的世界的样态,小说的书写则是对于现代世界的一种特定的"心灵赋形"活动。基于中国"城/乡"结构形态的特殊性,汉语的现代小说在空间维度上主要呈现为"移植性"摹仿的都市叙事形态与融入自然的乡土叙事形态两相并置的形式样态,"乡土"小说叙事是现代中国文学贡献于世界文学的最富有独特意义的"空间形式"范本。但在"心灵-世界-形式"的一般结构模型中,现代中国小说还远没有达到真正成熟的程度,中国文学自身的创造性活力仍然有待于更深层面的激发。Literature is the representation of the world perceived by human heart.Novel writing is a specific activity defining the modern world.Based on the particularity of China’s urban-rural structure,modern novel mainly presents itself as a juxtaposition modality of portable imitation of urban narrative form and local narrative form emerging in nature in the spatial dimension.Local narration is the most original spatial form model that Chinese literature contributed to world literature.In the general structure model of soul-world-form,modern Chinese literature is far from mature,and the creative vitality of literature itself still needs to be stimulated at a deeper level.

关 键 词：“乡土”小说 空间形式 “城/乡” 

分 类 号：I207.42[文学—中国文学]