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作 者:欧彦伶[1] OU Yan-ling(Marxism School, Hohai University, Nanjing, Jiangsu 211100, China)
机构地区:[1]河海大学马克思主义学院,江苏南京211100
出 处:《贵州民族研究》2019年第1期109-112,共4页Guizhou Ethnic Studies
基 金:国家社科基金青年项目"习近平总书记关于思想政治教育工作重要论述研究"(项目编号:15CKS033)的阶段性成果
摘 要:民族影视作品是高度折射民族传统文化,体现社会对民族影视作品内在文化诉求,对接主流价值观的可视化艺术载体。一方面民族影视作品的扩展必然要以传统文化的框架性构建,特别是民族影视作品历史背景的套取以及民族历史文化为基础;另一方面民族影视作品的"民族性"塑造离不开民族传统文化的填充;此外,社会主流价值观的主题承载是民族影视作品天然的使命[1]。因此,基于文化视域下透析民族影视作品的民族传统文化承载,成为繁荣民族影视作品市场,加强影视作品原生态文化构建的必然举措。National film and television works are highly visible national traditional culture, reflecting the society’s internal cultural appeals to national film and television works, and the visual art carrier of docking mainstream values. On the one hand, the expansion of national film and television works must be constructed in the framework of traditional culture,especially the historical background of national film and television works. It is necessary to be based on national history and culture;on the other hand, the "nationality" of national film and television works is shaped away. The filling of national traditional culture is not open;in addition, the theme of social mainstream values is the natural mission of national film and television works[1]. Therefore, based on the cultural perspective, dialysis of the national traditional culture bearing the national film and television works has become an inevitable measure to prosper the national film and television works market and strengthen the original ecological culture of film and television works.
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