从结构-符号看《神曲》与《离骚》的篇章隐喻  

The Metaphors of “Divine Comedy” and “Lisao” from the Perspective of Structure-symbol

作　　者：马迎春 MA Yingchun(Sichuan Minzu College, Kangding Sichuan 626001, China)

机构地区：[1]四川民族学院文学院,四川康定626001

出　　处：《重庆电子工程职业学院学报》2019年第1期101-104,共4页Journal of Chongqing College of Electronic Engineering

基　　金：2018年度四川省教育厅资助的一般项目"从符号-结构阐释隐喻与象征;寓言的关系"(项目编号:18SB0514)的阶段性研究成果之一

摘　　要：从隐喻学角度看,《神曲》是寓言式篇章隐喻,《离骚》是博喻式篇章隐喻。从结构-符号看,两个篇章隐喻文本都具有一种嵌套关系,都是由低层级结构-符号转换生成并支撑高层级结构-符号整体。《神曲》有大量来自基督教世界的隐喻、寓言,体现了中世纪"寓言说"的影响,接续了《圣经》传统。《离骚》有大量的动植物意象,体现了中国古代"言志"诗学的影响,接续的是《诗经》传统。From the perspective of metaphor,"Divine Comedy" is a metaphor of allegorical text, but"Lisao" is a Metaphorical text metaphor. From the structure-symbol, both the textual metaphor texts have a nested relationship, all of which are low-level structure-symbol conversion, generation and support of highlevel structure-symbol overall. In "Divine Comedy", there are a lot of metaphors and fables from the Christian world, which embody the influence of the middle-age fable theory, following the tradition of "Bible". In"Lisao", there is a great deal of animal and plant images, which reflects the influence of the Chinese ancient"a statement of words" poetics, following the tradition of "Shijing".

关 键 词：篇章隐喻 结构-符号 《神曲》 《离骚》 

分 类 号：H15[语言文字—汉语]