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作 者:王金胜[1] 张爱玲 WANG Jin-sheng;ZHANG Ai-ling(College of Liberal Arts, Qingdao University, Qingdao 266071, China)
出 处:《东方论坛(青岛大学学报)》2019年第2期15-27,共13页Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基 金:国家社会科学基金项目"莫言的中国主体重建与新文学传统研究"(17BZW159)的阶段性成果
摘 要:莫言小说具有浓郁的诗性品格,其诗性容纳古典与现代质素,兼具审美、叙事、象征等多重功能。形式美感、叙事功用和象征意蕴的浑然相融,赋予莫言文学丰厚深沉的诗性蕴涵。莫言小说赓续中国现代诗化小说流脉,并以独特的路径与方式重塑小说的诗性。莫言以生命美学、崇高美学、怪诞美学等现代后现代感性学,丰富和重构诗性的蕴涵和表意形式,以驳杂混沌、深沉繁复的诗学面貌,呈现出对古典诗意美学和现代诗化小说的双重超越。novels written by Mo Yan have a strong poetic character, which contains both classical and modern qualities, and has aesthetic, narrative and symbolic functions. The combination of formal aesthetics, narrative function and symbolic implication endows Mo Yan's writings with rich and profound poetic implications. His novels continue the traditions of modern Chinese poetic novels and remold the poetic quality of novels in a unique way. He enriches and reconstructs the poetic implication and expression form with modern and post-modern aesthetics such as life aesthetics, sublime aesthetics and grotesque aesthetics, and realizes double transcendence over classical poetic aesthetics and modern poetic novels with mixed, chaotic, profound and complex poetic features.
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