赋形与时空:现象学美学的“身体化美学”特征阐释——以茵加登和杜夫海纳美学为例  

Figurative and Spatiotemporal:Characteristics of "Bodily Aesthetics" in Phenomenological Aesthetics——Taking Ingaden and Dufrenne's Aesthetics as Examples

作　　者：马正平[1] MA Zheng-ping(College of Literature,Sichuan Normal University,Chengdu 610066)

机构地区：[1]四川师范大学文学院,成都610066

出　　处：《徐州工程学院学报（社会科学版）》2019年第3期43-54,共12页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：国家社科基金哲学课题西部项目"直观与折射:时空美学基本原理初探"(08XZX017)

摘　　要：文章通过对茵加登和杜夫海纳的现象学美学的身体主体的身体化美学维度的分析,我们看到:所谓现象学美学中的"现象"奥秘所在和身体化美学的特征所在,实质上就是在审美活动中的身体化参与的身体感与生命感直观的介入问题。反过来说,所谓"身体化美学"不是以身体为审美对象的客体论身体美学,而是对美和审美的身体化与生命化体验成果与成果进行描述的现象学美学,于是,我们发现目前很多"身体美学"是"有身体,没美学"的身体美学;另一方面,并非所有的现象学美学都是"身体化美学",只有真正对审美活动与审美创生物进行身体性感觉、体验,并进行描述的现象学美学才是身体化美学。这样我们就又发现,国内当前很多所谓的现象学美学并非身体化美学,也非真正的现象学,尤其是思维现象学的身体化美学,而是一种"有美学,没身体"的现象学美学。总之,真正的美学是对审美活动的过程和深创生成果的直观,并对直观成果进行描述,最后形成的美学体系,这才是真正的现象学美学,也是真正的身体化美学。Through the analysis of the bodily aesthetic dimension of Ingaden and Dufrenne's phenomenological aesthetics,the mystery of "phenomena" in phenomenological aesthetics and the characteristics of bodily aesthetics are,in essence,the intuitive involvement of bodily sense and life sense in aesthetic activities.Conversely,the so-called "bodily aesthetics" is not the object-oriented bodily aesthetics with body as its aesthetic object,but the phenomenological aesthetics which describes the results and achievements through the bodily and life experience of beauty and aesthetics.However,we find that the so-called "bodily aesthetics" nowadays are just those which only "have bodies but without aesthetics";on the other hand,we also find that not all phenomenological aesthetics are called "bodily aesthetics",only those which truly sense,experience and describe the aesthetic activities and aesthetic creations are called "bodily aesthetics".In this way,we further find that many so-called phenomenological aesthetics in China are not bodily aesthetics,nor real phenomenology,especially the bodily aesthetics of thinking phenomenology.They are just some kinds of phenomenological aesthetics only "having aesthetics but without bodies".In a word,the real aesthetics is the intuitive description of the process of aesthetic activities and their deep-rooted results to form an aesthetic system.Only in this way can we call it the real phenomenological aesthetics or the real bodily aesthetics.

关 键 词：时空美学 主体论身体美学 身体化美学 思维现象学 

分 类 号：B83.069[哲学宗教—美学]