《宋书·隐逸传》的隐逸观与陶渊明形象的经典化  

The Concept of Hermit of Song History and the Canonization of Tao Yuanming's Image

作　　者：潘磊 PAN Lei(School of Liberal Arts,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学文学院,济南250100

出　　处：《北京社会科学》2019年第5期86-96,共11页Social Sciences of Beijing

摘　　要：沈约在《宋书·隐逸传》的序和论中详细阐述了"贤人之隐"(晦道)与"贤者之隐"(藏身)的不同,揭示出这组矛盾背后的深层意蕴。其论述不同于传统隐士书写仅关注这一群体"激贪厉俗"的外在客观作用,而是更多地将"隐"的行为回归到隐逸主体本身,分析"隐"的动机,细化"隐"的类型,从而创造性地将"隐"与"贤"结合起来,最终以"独往之人"("哲人")作为隐逸的理想状态。陶渊明作为当时"独往之人"的代表,成为沈约隐逸理想的现实呈现。客观上,沈约《隐逸传》的书写对陶渊明形象的经典化也起到了十分关键的作用。In the preface and comment of Hermit Pass of Song Dynasty , Shen Yue expounded in details the difference between the hidden of Tao and the hidden of body, and revealed the deep meaning behind the contradiction. His exposition was different from the traditional hermit writing, which only paid attention to the external objective function of ‘severe stress greed custom’, but more often returned the ‘hidden’ behavior to the recluse subject itself, analyzed the motive of ‘hidden’, and refined the type of ‘hidden’, to creatively combine the ‘hidden’ with the ‘virtuous’. Finally, the ideal state of recluse was ‘the person who went alone’(‘the philosopher’), while Tao Yuanming, the representative of ‘the person who went alone’ at that time, became the reality of Shen Yue s ideal of seclusion. Objectively,the writing of Shen Yue s concept of hermit played a very important role in Tao Yuanming s image of the canonization.

关 键 词：沈约 隐逸观 陶渊明 经典化 

分 类 号：K203[历史地理—历史学]