黄金乡·玻璃镇纸·无产者——《一九八四》中的乌托邦冲动  

Golden Country, Paperweight and Proletarian——the Utopian Impulses in Nineteen Eighty-Four

作　　者：王玮[1] WANG Wei(College of Liberal Arts,Tarim University,Alar 843300,China)

机构地区：[1]塔里木大学人文学院,新疆阿拉尔843300

出　　处：《连云港师范高等专科学校学报》2019年第1期24-28,共5页Journal of Lianyungang Normal College

基　　金：国家社科基金重大项目"文化观念流变中的英国文学典籍研究"(项目编号:12&ZD172)

摘　　要：《一九八四》是20世纪欧洲文坛著名的"反乌托邦三部曲"之一。这部小说不仅以乌托邦为前文本进行批判,而且还包含着强劲的乌托邦冲动。这主要体现为作者对温斯顿·史密斯这一人物形象的塑造及其对理想化社会的期待,也体现在作者的创作宗旨中。无论是其"反乌托邦"的目的,还是其"乌托邦冲动",都与这一时期文化观念的流变密切相关。Nineteen Eighty-Four is one of the famous “dystopian trilogy”in the 20th century literary world. This novel not only takes utopia as the pretext to criticize,but also contains strong utopian impulses. This is mainly reflected in the author’s creation of the character of Winston Smith and his expectations of an idealized society,as well as the author’s writing purposes. Both its purpose of dystopia and its utopian impulses are closely related to the cultural changes in this period. Whether its purpose of“anti-Utopia”or its“Utopia impulse”is closely related to the evolution of cultural concepts during this period.

关 键 词：乔治·奥威尔 《一九八四》 乌托邦冲动 

分 类 号：I106.4[文学—世界文学]