中国悲剧人文主义的核心观念及其当代意义——为纪念冼星海《黄河大合唱》创作80周年而作  

Critical Analysis on Core Concepts of Chinese Tragic Humanism and Its Significance in Modern Context——In Commemoration of Yellow River Chorus Composed by XIAN Xinghai

作　　者：王杰[1] 王真 WANG Jie;WANG Zhen

机构地区：[1]浙江大学传媒与国际文化学院,浙江杭州310058

出　　处：《湖北大学学报（哲学社会科学版）》2019年第3期36-45,175,共11页Journal of Hubei University(Philosophy and Social Science)

基　　金：国家社会科学基金重大资助项目:15ZDB023

摘　　要：中国审美现代性的特殊性已经引起了学界的高度重视。中国社会现代化过程的基本情感结构是由"乡愁乌托邦"和"红色乌托邦"两条分别指向"过去"和"未来"两个维度的文化链组成的双螺旋结构,二者以纠缠组合的形式呈现在艺术作品中,例如冼星海的《黄河大合唱》。《黄河大合唱》产生于中国现代化过程的特殊历史时期,是中国社会现代化发展过程中的一个"文化事件",是具有"永恒魅力"的经典。《黄河大合唱》较为典型地表征了中国审美现代性的情感结构,是分析中国审美现代性早期阶段的一个很好的个案。The particularity of Chinese aesthetic modernity has aroused great attention in academic circles. The fundamental emotional structure of Chinese social modernization process is a double helix structure composed of “Nostalgia Utopia”and “Red Utopia”, pointing to the “past”and the “future”respectively. The two emotional dimensions are represented in artistic works in the form of entanglement. For example,Xian Xinghai's Yellow River Chorus,which is originated from the special historical period of Chinese modernization process,can be taken as a cultural case to analyze the emotional structure of Chinese aesthetic modernity and a good case of Chinese aesthetic modernity at early stage. The particularity of Chinese aesthetic modernity is discussed in this paper by analyzing the specific historical situation and aesthetic mechanism of Yellow River Chorus. On the basis,the core concepts and significances of humanism in the modern idea of Chinese tragedy are discussed as well.

关 键 词：现代悲剧观念 审美现代性 《黄河大合唱》 悲剧人文主义 

分 类 号：I0[文学—文学理论] I01