从朦胧诗的语法特征到文学性的实现  

From Grammatical Features of Misty Poetry to the Realization of Its Literariness

作　　者：吴永强[1] 邓忠[1] WU Yong-qiang;DENG Zhong(School of Foreign Languages, Southwest Minzu University, Chengdu,Sichuan 610041, China)

机构地区：[1]西南民族大学外国语学院,成都610041

出　　处：《四川师范大学学报（社会科学版）》2019年第3期119-125,共7页Journal of Sichuan Normal University(Social Sciences Edition)

摘　　要：文学性是诗歌研究的一个热点问题,而朦胧诗作为中国新诗的代表之一,其文学性的阐释还不够深入。认知语法作为一种成熟的语言学范式,其语法本身有意义、语法选择体现思维选择的基本理念,可以为朦胧诗文学性的研究提供一条新的路径,即从诗歌语言的特征入手,探讨其意义的内涵,并以此为基础从概念化和哲学意蕴这两个层面进行朦胧诗文学性的解读。这样的研究理路的优势在于能够发现以往朦胧诗研究没有发现的问题,同时可以对曾经解释不十分明晰的问题提供基于认知科学的解释。Literariness is a hot issue in poetry research. The interpretation on literariness of misty poetry, one of the representatives of Chinese new poetry, is not deep enough. As a mature linguistic paradigm, cognitive grammar, with basic thoughts that grammar has its own meaning and grammatical choices embody the basic idea of thinking choice, provides a new path for the study of literariness of misty poetry. Starting from characteristics of poetry language, literariness of misty poetry can be interpreted from two levels of conceptualization and philosophical implication. Such a research path helps to find problems that have not been discovered in previous poetry studies, and at the same time provides cognitive sciencebased explanations for problems that have not been fully explained.

关 键 词：朦胧诗 认知语法 朦胧诗的语法特征 朦胧诗的文学性 

分 类 号：H146.3[语言文字—汉语]