宋代词学中的词体风格论  

The Stylistic Style of Chinese Peom of Ci Lyrics in Chinese Song Dynasty

作　　者：向娜[1] XIANG Na(College of Humanities,Hunan City University,Yiyang,Hunan 413000,China)

机构地区：[1]湖南城市学院人文学院,湖南益阳413000

出　　处：《城市学刊》2019年第2期89-95,共7页Journal of Urban Studies

摘　　要：从"辨体"的角度来说,词的文体风格是词学中的核心问题。词学中明确辨体思想的出现,始于北宋中后期的李之仪、陈师道等人。宋代词体风格论中涉及的主要风格特征,主要包括"绮艳""含蓄""清"几种。其中,"绮艳"比较贴近唐宋以来创作的实际情况,但是宋人极少有从正面肯定其为词的文体特征者。"含蓄"则是词的文体特征中的核心规范。"清"是文人雅趣在词中的反映,也是词体由俗趋雅的一个重要因素,并最终形成了张炎的"清空骚雅"说。宋代词学中提出的几个关于词体风格的要素,基本成为后来词体风格论中延续的核心要素。The stylistic wrinting of the ancient Chinese poem ci which is a kind of Chinese poem is the core topic in ci lyrics.The emergence of the idea of distinguishing ci lyrics from other genres by style began in the mid-late Northern Song Dynasty(960-1279).The main stylistic features of the ci style in the Song Dynasty including the“sensual and exquisite”,“implicit style”and“Qing”.Among them,the peom of“Qi Yan”is accord with the actual situation in Tang and Song Dynasties,but few reviewers affirm it positively as the stylistic features of the ci lyrics.Impliciting style is the core criterion in the stylistic features of the ci lyrics.While the Chinese character Qing is not only reflected the interest of the intellectuals but also an important factor of ci style from vulgarity to elegance,and it finally formed the typical style that defined by Zhang Yan:clearing and emptiness.These elements of Ci lyrics style are put forward in ci studies of the Song Dynasty that becomes the core elements of the continuation of Ci lyrics theory.

关 键 词：宋代词学 辨体 绮艳 含蓄 清 

分 类 号：I207.2[文学—中国文学]