拉康主体理论视域观照下的《你好,之华》  

A Lacan’s Subject Theory Perspective to the Movie Last Letter

作　　者：成琪 CHENG Qi(College of Liberal Arts,Liaoning University,Shenyang Liaoning 110136,China;Integrated Experimental Center for Liberal Arts,Business & Law,Liaoning University,Shenyang Liaoning 110136,China)

机构地区：[1]辽宁大学文学院 [2]辽宁大学文科综合实验中心

出　　处：《顺德职业技术学院学报》2019年第2期59-65,共7页Journal of Shunde Polytechnic

摘　　要：以影片《你好,之华》为研究对象,以人格三角结构想象界、象征界、真实界为逻辑起点,结合拉康以镜像理论、他者与欲望的辩证法、象征性能指语言观为代表的主体理论对互为镜像的之华、之南及之华、之南与小、大他者构成的主体间性予以观照。旨在挖掘深藏于导演岩井俊二内心的拉康情结,确证拉康主体理论的现实、现世价值。This paper takes the movie Last Letter as research object and the personality triangle structure,namely imagination,symbolism and reality as logical starting point,combining with Lacan's subject theory represented by mirror theory,dialectics of others and desires and symbolical signifiant language theory,in order to explain the growth stage of Zhihua and Zhinan.The purpose of this paper is to explore Lacan complex hidden in the heart of director Iwai Shunji,confirming the reality and value of Lacan's subject theory.

关 键 词：《你好 之华》 镜像理论 他者与欲望的辩证法 象征性能指语言观 主体间性 

分 类 号：J905[艺术—电影电视艺术]