日本现代主义文学的承传与创新——以横光利一的创作为例  

The Inheritance and Innovation of Japanese Modernist Literature——Take Yokomitsu Riichi as an Example

作　　者：王天慧[1] WANG Tian-hui(School of Foreign Languages,Dalian Maritime University,Dalian 116026,China)

机构地区：[1]大连海事大学外国语学院,辽宁大连116026

出　　处：《东北师大学报（哲学社会科学版）》2019年第3期45-51,共7页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目(15YJC752035);辽宁省哲学社会科学规划基金项目(L14CWW009);辽宁省教育科学"十二五"规划立项课题(JGZXQDB025)

摘　　要：20世纪20年代初,以刊物《文艺时代》的创立为标志,日本新感觉派文学运动如火如荼地开始了,这意味着日本现代主义文学正式地拉开了序幕。日本现代主义文学的出现,为日本文坛注入了新鲜的血液和活力,也将诸多西方文艺流派大量地引入了日本。以新感觉派为首的文学流派,与其后产生的新兴艺术派、新心理主义文学共同开创了日本现代艺术派文学的全盛时代。其中,新感觉派旗手横光利一的文学创作,不仅贯穿了这一时代的发展全过程,还一直引领着战前日本现代文学发展的潮流,充分地体现出对日本现代主义文学的承传与创新精神。At the beginning of the 20 th century,marked by the creation of the publication "The Age of Literature and Art,"the Japanese new sense literary movement began in full swing,which meant that Japanese modernist literature officially opened the prelude.The emergence of Japanese modernist literature has injected fresh blood and vitality into the Japanese literary world,and has also introduced many Western literary schools to Japan in large number.The literary school headed by the new sense school,together with the emerging art school and the new psychology literature that emerged afterwards,created the heyday of Japanese modern art literature.Among them,the literary creation of Hengguangliyi,the flag bearer of the new sense school,not only runs through the entire process of development of this era,but also leads the trend of the development of pre-war Japanese modern literature all the time,fully reflecting the inheritance and innovation of Japanese modernist literature spirit.

关 键 词：横光利一 日本现代主义文学 新感觉派文学 新心理主义 意识流 

分 类 号：I106.4[文学—世界文学]