青春书写·类型探索·文化表达——革命历史题材影视剧创作新变  

Youth Writing·Type Exploration·Cultural Expression——New Changes in the Creation of Film and Television Dramas in Revolutionary History

作　　者：龙念[1] 张广铭 龙志 LONG Nian;ZHANG Guang-ming;LONG Zhi(School of Journalism and Communication,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学新闻与传播学院,湖南长沙410081

出　　处：《湖南大学学报（社会科学版）》2019年第2期157-160,共4页Journal of Hunan University(Social Sciences)

基　　金：湖南省哲学社会科学规划基金"革命历史剧对青少年政治观念的影响研究"(17JD57)

摘　　要：近年来,青春化叙事逐渐成为革命历史影像融合主流话语、凝聚社会共识、达成集体认同的一种重要的生产模式与创作趋势。该亚类型影视剧在叙事主题、人物塑造、影像风格等方面进行了青春化呈现和偶像化包装,并在类型化与反类型化的建构中创新求变,借助偶像力量和粉丝效应,使文本在受众层面实现了主流话语、大众文化以及消费主义的多元共融。然而,如何有机勾连青春与革命、平衡主流文化与市场逻辑、创新开拓类型边界,仍然是该亚类型革命文本必须进一步探索的创作命题。In the recent years, the youth narrative has gradually become an important production mode and creation trend of the revolutionary historical image to integrate the mainstream discourse, building social consensus, and achieving collective identity.The sub-type film and television drama have their youth and idolization was of expressions in terms of narrative themes, character shaping, and image style, and they have been innovatively changed in the construction of types and anti-types. with the help of idol power and fan effect, at the audience level, the mainstream discourse, popular culture and consumerism are achieved. However, how to link youth and revolution, balance mainstream culture and market logic, and innovate and develop type boundaries is still the creation proposition that the subtype revolutionary texts must further explore.

关 键 词：革命历史题材影视剧 青春 类型 多元文化 

分 类 号：J905[艺术—电影电视艺术]